In addition, collaboration with the virtual production provider Mo-Sys adds support for camera tracking system StarTracker when using panels equipped with Tessera R2 or with the new receiver card Tessera R2+ and an SX40 or S8 processor with Frame Remapping. Led video processors Tessera SX40 and S8 of Brompton Technology now have a preset that supports color space Aces AP1.
#TESSERA SX40 LED PROCESSOR SOFTWARE#
Tessera v3.2 software is now available for beta testing here: Brompton.Brompton Tessera v3.3 streamlines Led video processing The new features that Brompton Technology has entered in the version 3.3 of its Tessera software optimize the performance of Led panels to streamline professional workflows.
#TESSERA SX40 LED PROCESSOR FREE#
ShutterSync and 3D LUT import are available as free software upgrades to users of Tessera SX40 and S8 processors.
He adds, “Filming with LED is here to stay, and we’re proud to continue delivering features that support and empower the creativity of our users.” This helps with camera calibration and improves integration with existing color management workflows, with zero additional latency or cost." 3D LUT import builds on this to give power users, especially those working in virtual production, direct access to the system’s color processing capabilities. “Our Dynamic Calibration technology is essential for achieving color accuracy, and our existing ChromaTune feature gives users flexible, integrated color correction. “Reproducing color on LED screens is a complex science,” concludes Deighton. Tessera v3.2 also offers power users greater control over the color of an LED screen, with the ability to import a 3D Look Up Table (LUT). cube file, using 12-bit precision and tetrahedral interpolation. The Tessera software can import and use any valid Adobe. They are commonly used in film production for everything from on-set camera tuning to color grading in post. 3D LUTs are an efficient way of remapping colors and allow for advanced color correction. ShutterSync does not affect network pixel capacity and works with genlock for a perfectly sync'd system. “This means that the DOP retains creative flexibility for camera configuration, with wider choice of aperture, lens, sensor gain, filters, etc., to achieve the desired creative result and level of motion blur,” Deighton notes.īrompton reps report that ShutterSync is compatible with all LED panels fitted with a Tessera R2 receiver card and works best with panels supporting High Frame Rates (HFR). With ShutterSync, the LED screen ceases to be an obstacle to work around, becoming a genuine partner in the creative process with many of the commonly experienced visual artifacts on camera a thing of the past. "With ShutterSync, LED refresh can be tuned to the camera, not the other way around, giving creative control back to the user.” It can optionally be used in conjunction with Frame Remapping, which allows the user to interleave different areas of the video raster or solid colors in the output, enabling multi-camera systems and transforming the workflow for virtual production. ShutterSync is an industry-first, patent-pending processing feature that automatically adjusts the timing of the LED refresh to match the preferred camera setup.
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